BILLY PORTER – Tom's Blog

The LGBT agenda is after the souls of children.

By Shane Trejo – 1/31/2020

Billy Porter, a homosexual cross-dressing actor who is known to wear dresses on red carpets to posh Hollywood events, will be appearing **on the PBS kids’ show ‘Sesame Street’ to warp the minds of the young viewers.**

The show made the announcement in a Facebook post on Thursday, claiming that Porter would bring his “fierce vibes” to Sesame Street. This deeply offended some of the show’s fans on social media.

“That is pushing [too] much at little children, it makes no sense, kids have [too] much on their little plates as it is,” a commenter said. “Why add more?”

“Sesame Street is for children. And diversity should be taught at a child appropriate level. A man in a dress is not child appropriate, in fact, it can be confusing,” another commenter argued. “While striving to teach to ‘be yourself’ you’re teaching boys who are masculine that it’s not ok for them to be masculine.”

“As though our children are not confused enough. What is your agenda?” another asked. “Unbelievable. So disappointing.”

Sesame Street has been on the woke bandwagon for quite some time, pushing gender equality and gay marriage on children for years.

They have also produced content urging children to cross-dress and break gender norms:

The push by the show to corrupt and pervert children has been going on for decades, as foreign versions of the program created an HIV-positive muppet in 2002.

The United Nations celebrated Sesame Street for teaching children that there’s nothing wrong with AIDS:

On the show, Kami is a five-year-old orphan whose mother died of AIDS. Part of her character’s role is to destigmatise those living with HIV, and to open discussion about sensitive issues including coping with illness and bereavement.

Talking about the Kami, Takalani Sesame producer Naila Farouky says, “Her whole intention is that she lives positively despite the fact that she has this virus.”

The idea of an HIV-positive Muppet began to take shape early in 2002, when Sesame Workshop and South African partners met in South Africa and New York to discuss their commitment to addressing the HIV issue on the show.

Since September 2002, Kami has helped dispel the culture of silence that prevents so many South Africans from seeking and receiving care for their illness. “Sometimes when you’re ill, you mustn’t keep it a secret, you must tell people,” Kami says in one episode.

“Takalani Sesame is the most ambitious project outside the US,” says Gloria Britain, who heads the Project Office in Johannesburg. “No other country version has pushed at the boundaries of the United States model quite as much as South Africa.”

It is currently unknown when the episode featuring Porter is set to air.

Who’s really clamoring to see a black, transgender fairy godmother on cinema screens? Certainly the liberal media. But do audiences really care for woke remakes of childhood classics?

Is there any phrase more guaranteed to ruin a sweet childhood memory than “a modern re-imagining of…”? Especially when ‘modern’ means ‘sanitized’ and ‘injected with pointless social-justice twaddle.’

Enter the black, transgender fairy godmother. According to Hollywood Reporter, Emmy-award winning actor Billy Porter will play the role in Sony Pictures’ upcoming remake of the 1950 Disney classic, alongside Cuban-American actress Camila Cabello as the titular princess. Billy Porter, for the uninitiated, is a gay man.

So commonplace is the woke makeover these days that the news was greeted with nothing but syrupy enthusiasm from the media. “Billy Porter Should Absolutely Be Cinderella’s Fairy Godmother,” gushed Vanity Fair, to the deafening squeals of a hundred “Yass Kween”s in the comments section.

“If ‘Fairy Godmother Billy Porter’ doesn’t have an Academy Award for Best Supporting Actor written all over it, we don’t know what does,” sassed gay magazine PinkNews. “It’s safe to say,” chirped women’s magazine site Refinery29, Cinderella “will be nothing short of fabulous.”

To be clear, this author has no attachment to the 1950s Cinderella story. Whether producer James Corden butchers the story or crafts an era-defining fairy tale from it is of no concern to yours truly. But audiences might disagree.

You see, while the ‘woke makeover’ – replacing women with men, injecting transgender roles where there were none, and sprinkling formerly white casts with other colors for diversity’s sake – delights magazine writers and cultural commenters, audiences are sick to the teeth of it.

Remember Ghostbusters? The 2016 remake of the beloved Bill Murray/Dan Aykroyd comedy flopped at the box office, losing Sony Pictures an estimated $70 million. Cinemagoers didn’t warm to the movie’s all-female cast and watered-down jokes, and review aggregation site RottenTomatoes was flooded with negative comments.

Ditto for ‘Ocean’s 8,’ the all-female remake of ‘Ocean’s 11,’ which itself was a remake of the 1960s Rat Pack movie. The movie’s cast preemptively deflected negative reviews, with Cate Blanchett claiming men would view it through a “prism of misunderstanding,” and Mindy Kaling declaring that white men simply “don’t understand it.”

Though ‘Ocean’s 8’ fared well at the box office, audience reviewers on RottenTomatoes pelted the flick with a 45 percent rating, compared to the critics’ 69.

When the female-led Captain Marvel hit theaters earlier this year, RottenTomatoes simply changed their ratings system in preparation. Its audience score now reflects the number of people who rated the movie 3.5 stars or higher, which means in all likelihood, the 45 percent awarded to ‘Ocean’s 8’ is actually inflated.

Still, Hollywood hasn’t learned. How about a black, female 007 in the next James Bond flick? Or a female Thor? None of these tickle your fancy? Okay, well how about a live action remake of ‘The Little Mermaid,’ only with a black Ariel? Who says the movie industry is out of ideas!

As for the quality of the movies themselves, who cares! The recent live-action ‘Lion King’ remake was panned, even without any nods to social justice or diversity. Yet by the looks of things, studios won’t stop until every childhood classic has been updated to include a requisite number of disabled transgender multiracial characters more fitting with the times we live in.

Except by then, there’ll be nobody watching them.THE LITTLE

By Graham Dockery,

Tag: BILLY PORTER

HOLLYWOOD – GROOMING: Homosexual Cross-Dresser to be Featured on PBS Kids’ Program ‘Sesame Street’

The LGBT agenda is after the souls of children.

Billy Porter, a homosexual cross-dressing actor who is known to wear dresses on red carpets to posh Hollywood events, will be appearing **on the PBS kids’ show ‘Sesame Street’ to warp the minds of the young viewers.**

The LGBT agenda is after the souls of children.

Billy Porter, a homosexual cross-dressing actor who is known to wear dresses on red carpets to posh Hollywood events, will be appearing on the PBS kids’ show ‘Sesame Street’ to warp the minds of the young viewers.

Who’s really clamoring to see a black, transgender fairy godmother on cinema screens? Certainly the liberal media. But do audiences really care for woke remakes of childhood classics?

Billy Porter, a homosexual cross-dressing actor who is known to wear dresses on red carpets to posh Hollywood events, will be appearing **on the PBS kids’ show ‘Sesame Street’ to warp the minds of the young viewers.**